In Suspense and Incomplete

There was, once upon a time, a period of my life that was quite turbulent, or at least it felt quite turbulent to me at the time. It felt as though whatever I was going through had never happened before in the history of humankind. But my mother, in her wisdom, gently said to me, “there’s nothing new under the sun,” quoting from the first chapter of Ecclesiastes. I don’t think she said this to downplay what I was feeling, but rather, to help me understand that we all share in this experience of living on earth and to take comfort in knowing that what I was feeling and thinking had been felt and thought before – that someone had lived through (and survived) what I was living through. This is, after all, the reason we read (or should read) the great stories of humanity, why we study history, and why remembering is important. When these stories are lost, forgotten, or erased, we lose something of ourselves. And we lose an opportunity to think and act with generations of experiences (both the good and the bad) behind our actions, rather than with only our limited lives and perspectives as guidance.

Yet I still find myself alternating between feeling that the world is falling apart in a way that it never has fallen apart before, and thinking that, well, it’s just falling apart in new ways. Or perhaps it isn’t falling apart. Perhaps the world is merely suspended in an ongoing cycle of decay and new growth, just as I am keenly aware of my own new ways of falling apart as I age, even as other aspects of life are constantly enriched and ever growing. I am suspended and spinning. Losing some things, gaining others.

I’ve been thinking a lot about the idea of “suspension” recently as I’ve had to put down my horn because of an injury I sustained back in May that has refused to heal the way I hoped it would. It became clear last month that the only thing to do was to stop playing for a while, give my body time and space – and to surrender to the idea that there IS time and there IS space for all of this. So, I feel myself completely suspended and without certainty. I don’t mean to be melodramatic. It is, after all, just a horn. Not a body part, not a loved one. But at the same time, I can’t deny that this is what I have worked for most in my life, what I’ve poured myself, my time, my dreams, my resources into, and it is unsettling to feel somewhat stripped of that identity for a while.  I have every reason to believe that I will recover, but I would be lying if I said there is no voice inside that sometimes asks “what if it doesn’t come back?” or “what if I’m never quite the same?”

At the same time, it is also true to say that I am depleted from the efforts of the summer and early fall, when I tried to rebuild from this injury that had never quite healed in the first place, and there is a certain amount of relief in thinking of other things. And so, I sit and do projects with my son. We are crocheting together these days and folding origami cranes and ninja stars (his favorite). I go for walks each day, feeling myself simply as a person walking, rather than as someone on a mission. I have my wonderful students to teach, who themselves teach me so much.

One of my students recently said to me that she felt she had so much catching up to do. I understood why she felt this way, as this is how I often feel. But what if we changed the metaphor? What if we recognize that, no matter where we are in life, we always will feel a certain amount of incompleteness. There will always be something needing to be done. It’s the nature of living. What if I embrace my own unique path, embrace my own pace, and find a place to rest, even while suspended in midair?

I think often of the words of Pierre Teilhard de Chardin, given to me by a friend and mentor during another unsettled time of my life. I will leave them here for you – and for myself. Even if the religious language does not resonate with you, perhaps the idea of the last two lines will infuse you (as they do me) with a feeling of being at home, even within a state of flux and uncertainty, and help you to “accept the anxiety of feeling yourself in suspense and incomplete.”

 

 

Patient Trust

Above all, trust in the slow work of God.

We are quite naturally impatient in everything

to reach the end without delay.

We should like to skip the intermediate stages.

We are impatient of being on the way to something

unknown, something new.

And yet it is the law of all progress

that is made by passing through

some stages of instability –

and that it may take a very long time.

And so I think it is with you;

your ideas mature gradually – let them grow,

let them shape themselves, without undue haste.

Don’t try to force them on,

as though you could be today what time

(that is to say, grace and circumstances

acting on your own good will)

will make of you tomorrow.

Only God could say what this new spirit

gradually forming within you will be.

Give our Lord the benefit of believing

that his hand is leading you,

and accept the anxiety of feeling yourself

in suspense and incomplete.

-Peirre Teilhard de Chardin, SJ

About Angela

French hornist Angela Cordell Bilger enjoys a freelance career as a chamber musician, orchestral player, and educator. She recently moved to the Chicago area from Philadelphia where she was second horn with Opera Philadelphia. She plays frequently with The Philadelphia Orchestra where she spent the 2008-2009 and 2016-2017 seasons as acting fourth horn. She recently joined the Chicago-based Sapphire Woodwind Quintet and coaches chamber music at Northwestern University and Midwest Young Artists Conservatory. During her years in New York City, Angela performed with the Orpheus Chamber Orchestra, Orchestra of St. Luke’s, at the Chamber Music Society of Lincoln Center, and in many Broadway shows. In addition, she spent several summers at the Marlboro Music Festival and toured with Musicians from Marlboro. Angela has served as adjunct faculty at Montclair State University, Drexel University, and Temple University. She lives on the North Shore of Chicago with her husband, trumpet player David Bilger, and their two children.
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